Henning Koppel, Fiskefad, 1954

Fiskefadets afrundede former og store læbeformede greb mimer delfinens krop. Det er mere skulptur end brugskunst, og er udformet uden den klassiske rist til fisken. Fad og låg er hver især trukket og hamret op i ét stykke. Det er de organiske former og den silkebløde finish, der spiller hovedrollen.

 

Henning Koppel, Fish Dish, 1954

In its rounded shapes and large, lip-like grip, the Fish Dish resembles a dolphin. The dish is more sculpture than utilitarian design and lacks the classic rack to place the fish on. Both the tray and the lid are raised and hammered in one piece each. The organic forms and silky finish play the lead roles.